And we’re back to blogging about our favorite reality competition show: So You Think You Can Dance on Fox, now in its 9th season and hopefully never going off the air ever! Last night was a weird Top 20 not-quite-competition-yet episode, so we thought we’d do a little prologue to the “real” season, if you will.
Erica: So I’m all confused as to what is going on this season. Why are they changing the format?
Kate: What are you talking about? This episode is just like the last few top-20-revealed episodes.
Erica: It is?
Kate: Yes! We don’t start blogging until they actually start competing, which is next week.
Erica: But next week they’re not getting rid of anyone, right?
Erica: Okay, anyway, I thought as long as this isn’t the competition proper yet but it’s still with the dancing and what-not, I’d do a run-down of our Top 20 dancers, and we’d give our opinions, okay?
Kate: Readyyyy O-KAY!
Erica: Great. I’m just going to go in order of how they were announced.
The Contemporaries (Round One)
Erica: Much has been made of the fact that she was in the top 21 last year–meaning she was the first loser. But she made it this year! They gave her a lot of crap in Vegas about being technically perfect and also stunningly gorgeous (she is) but emotionally dead so expect to see her congratulated every five minutes or so for showing her heart or some such.
Kate: I’m not thrilled that she’s in the top 20 because the feedback they were giving her led me to believe she would not be. I always had a problem with facial expressions too, though.
George Lawrence II
Erica: This is the one with the bad daddy who wanted him to, I don’t know, play baseball or something? And then Debbie Allen said that there are very few people who are simply meant to dance, and he’s one of them? The thing is, as much as the whole thing annoyed me, because that’s such a hippie-dippie thing to say and also I know how much Nigel loves to hate on the bad dads who don’t want their sons to dance, but George really does dance like the light of some god is within him. In the first contemporary routine, which featured these first four dancers, he stood out by a mile. He’s my current favorite.
Kate: Was he the tall one?
Erica: We saw nothing of him in the auditions episodes. And in this episode’s top 10 boys dance number, we saw that he’s a little, uh, doughy. Which is not great in a dancer. And he’s super, super tall. Like, taller than Cat. Even when Cat’s in heels.
Kate: Oh HE’S the tall one. My bad. Yeah I’m not that much of a fan, he needs to be quicker on his big-ass feet.
Erica: Amber Jackson wasn’t really featured in the auditions episodes either, but apparently she has been rejected by these folks before. And the last time she said she wasn’t going to come back, but look, here she is! Nigel tells her she looks ugly when she says she’s quitting, but beautiful now that she’s come back–which of course he wouldn’t take the time to say if she came back but didn’t make the top 20. I don’t like her hair as much now as I did in the earlier shots of her.
Kate: Yeah that was so mean NIGEL! She clearly grew as a dancer, but I’m neutral on her as of this moment.
The Ballrooms (or Latins, whatevs)
Erica: He’s a crier. He’s also not long for this competition. He’s good but not great. Although maybe I am speaking too early. Sometimes it’s hard to tell with ballroom boys because in their own genre, their main job is to support the lady. Or ladies.
Kate: I barely even noticed him because the ballroom girls were so freakin’ good. Actually one of them messed up at some point I think.
Erica: Seriously, people, what goes on in Utah? Anyway, I knew she was going to be in. She’s a virginal hot tamale; that’s exactly what this show is all about. I know I’m snarking, but she’s very good.
Kate: RIGHT? And they were like friends before the show.
Erica: She’s the other ballroom chick from Utah. Which is sort of the problem; she’s terrific but if I had to guess now, I’d guess Whitney is going to outshine her. But what is up with Utah?
Kate: Yeah, of all the states you’d think would have awesome ballroom dancing, Utah is not one of them. I actually can’t tell them apart.
The Ballet Dancers
Erica: She was one of the first auditioners we saw, and she was the one who made me go, “Why is she doing this show?” I think she said she was with Alvin Ailey, and then she moved to Cirque du Soleil to do pole dancing (actual dancing with the poles, not a euphemism for stripping and not actual pole dancing at a strip club). Like, she has a career, and a good one, and why is she here? And that seems to be true of the male dancers, too, although I think both of them expressed interest during their auditions in learning other styles, so, you know, that’s a reason. But Eliana already works outside of traditional ballet so . . . What is she hoping to gain here? That said, she’s fabulous.
Kate: Yea this was a great weird ballet routine! And I don’t get that either about the professional dancers quitting their jobs to do this show, haven’t they already gained what they would from this show? I think it’s just a thing now in the dance community, like “Hey let’s all do SYTYCD this year wouldn’t that be fun?!”
Erica: He seems sort of cynical and maybe a touch asshole-y. But maybe I just don’t know him well enough yet.
Kate: Eliana outshined the boys in this one so I didn’t even notice. Maybe I didn’t pay as close attention to this episode as I should have eh?
Erica: That is one hell of a name. Seriously, though, their ballet routine was awesome and they were all so in sync and perfect in it. Sometimes I see that and I think contemporary looks like ballet’s lazy little sister. Which I know is not true and sometimes I see fabulous contemporary routines I adore (like Mia’s at the end of this episode–what’s up, she has been battling cancer or something?), but damn, these guys were good. Maybe it’s just the difference between working professionals and kids who left high school, like, yesterday.
Kate: Wait is he the one from auditions that was kind of like a robot but insanely good? He needs a lot more personality if he’s going to make it on this show but he is immensely talented and has perfecto form. And, um, hello muscle definition.
The, Uh, Jazz (?) Girls
Erica: They didn’t show her in the auditions, I don’t think. I’m not going to remember her.
Kate: This was actually an awesome routine, and they are both ridiculously miniscule, but I don’t know that they’ll last very long because they are basically interchangeable.
Erica: I wouldn’t remember her, either, except I think she’s the one who after being told, with her group, that she’d gotten through ballroom, said, “Really? Even though I sucked?” and giggled and I found that obnoxious. But maybe I’m remembering wrong.
Kate: See above statement.
Erica: As a note, only these two danced. The next girl was sick. I did not think they did that good a job with some really pretty good choreography from show favorite Sonya Tayeh, and it’s really rare for me to think the dancers dropped the ball on the choreography rather than the other way around.
Erica: She’s not jazz, she’s a belly dancer! Oh, boy, I hope she has to do lots and lots of solos. And I mean that nicely; especially with this season and its new rules, I don’t even know that doing solos is going to be a bad thing or what. And here’s my thing: She’s a Palestinian Christian from Alabama who belly dances. Is this one hell of a country or what?
Kate: I don’t think she should have been in the top 20. Belly dancing is very different than any other form of dance and I’m not sure she’ll be able to pick up, like, hip hop and quick stepping. This was just Nigel being a horny weirdo.
Kate: ME TOO!
Erica: We never saw her before. She lists her specialty as “Lyrical,” not “Contemporary.” What, pray tell, is the difference between lyrical and contemporary?
Kate: Haven’t we been over this? Lyrical is more ballet-y, contemporary is more jazz-y.
Erica: All I know about him is he’s short.
Kate: Don’t remember this one either. Crap.
Kate: That’s not the light of God, that’s unnaturally pale skin that actually hurts my eyes. I am so mad she made it. The other girl was better. I hate her stupid hair (hello Kate circa 1994) and her stupid makeup and her stupid silent movie thing, it’s just a schtick and I don’t like that she used it to get on the show. During auditions I did not think she was all that talented.
The Non-White Guys without “Training”
Erica: He’s the “martial arts fusion” guy. Whatever. They padded this category because they didn’t want to let in so many trained contemporary dancers as they usually do. Which is not to say he’s not good, but that’s what happened.
Kate: Er, this routine was AWESOME. I mean truly spectacular. An Asian and 2 black guys doing a hip-hop-lyrical-contemporary hybrid with baseball bats as props?! It was true genius, I love this new choreographer and I love all of them. Extreme talent all around and I can’t wait to see what else they can do.
Erica: A stepper we’ve never seen before right now. I actually thought he was the best of this group. He’s also kinda easy on the eyes. As is my man Chehon up there.
Kate: Love love love.
Kate: Popping refers to pop-and-locking, that robotic hip-hop thing. And yeah Brandon was better but together they were so so so good.
Erica: Oh, also, I loved how, after their routine, Nigel was all, “Aren’t you poor, pathetic brown people so very grateful to white British me for giving you this FABULOUS opportunity to make more money for me?”
Kate: Ha, you love when he does that. But it is incredible that they are hip-hop dancers and did lyrical/contemporary stuff so beautifully on the first try.
Both: Okay, people, see you in two weeks for the competition proper! Have a happy and a safe Fourth!