Opening Number – Contemporary: “The Heroic Weather Conditions of the Universe Part One – A Veiled Mist” from Moonrise Kingdom; choreo by Tasty Oreo
Erica: Damn you, Tasty Oreo. Why can’t you just let me hate you in peace?
Kate: This did not thrill me.
Erica: I loved it. A lot. A lot a lot. And not just because of the costumes. Which I also loved. To an unhealthy degree.
Kate: Their faces creeped me out.
Cat Deely’s Outfit
Kate: From the waist up, she is wearing one of those stupid bathing suits no one would ever buy or wear because hello tan lines. From the waist down, she is wearing a hula skirt. The two items attached? God help us all.
Erica: I kind of liked the top. I just didn’t really get how it went with the skirt. I mean, I know it was all one piece but you know what I mean.
Kate: Also, when you have hair like hers…Don’t put it all on top of your head. I do like/want her earrings, though.
Erica: So . . . we’re doing this thing now where the eliminations happen right after the group number?
Kate: When I asked last week if they were doing the same elimination as last season, in my head I thought, ‘But it wouldn’t make sense to have the eliminations at the beginning of the show and then those people still have to dance, right? That’s kind of cruel?’ But, alas.
Erica: They announced the bottom six, and the judges picked two to save. They picked Makenzie and Alan to save. Totally right calls, as far as I’m concerned, although they kept wondering why Makenzie is in the bottom and I’m like, dude, it’s because straight guys are not your key demographic.
Kate: I know I was mad about that! She’s insanely good. But I suppose being in the bottom 6 of 20 people isn’t THAT bad.
Erica: Then the four that are left “dance for their lives,” which, seriously, you need to stop saying that, guys. It’s a spot on the show. It’s not actual death.
Kate: And you know how I feel about solos.
Erica: Anyway, solos:
Mariah – Hip-hop: “Hard in da Paint” by Waka Flocka Flame
Kate: Did not like.
Erica: This was terrible. I like her, but her solo looked more like “performing all street and shit,” not like, you know, dancing.
Kate: Yes, she’s better than this solo, and I don’t even like her that much.
Carlos – Contemporary: “Radioactive” by Imagine Dragons
Erica: I think he’s really good. His musicality leaves a little something to be desired but his lines are beautiful and he seems strong for his size and the solo as a dance piece wasn’t bad.
Kate: Musicality? Have you transformed into Mia Michaels?
Brittany – Ballroom: “Hacksaw” by Ooah
Kate: Ballroom doesn’t make sense as a solo. Ballroom as a solo is a girl shaking her butt/cute costume.
Erica: Ballroom solos are hard to pull off but I definitely thought she did a better job than Mariah here.
Kate: I suppose.
Jade – Animation: “Adagio” by Alicia Keys
Kate: Why did he pick slow music?
Erica: I know you don’t think animation is actually dancing and I do but whatever I think of animation as a whole, this was what the f*ck is this I don’t even know because he’s a much better dancer – dancer dancer, not just animator – than this solo shows.
Kate: Agreed, he seemed a little off tonight in general.
Erica: So then Nigel announces that the eliminations are not based on the solos, which is good because they sucked, and why can’t you guys dance for your lives when you’re dancing for your lives, and it’s like, Nigel, a) being not on your show anymore is not the same as being dead and b) you just said you didn’t decide based on solos so why should they put their blood into it? And then he proves it by choosing Mariah and Jade to stay and sending home Carlos and Brittany.
Kate: But, he was right. The solos sucked.
Erica: I guess I should be grateful that I lose a non-descript brunette and get to keep a dancer I like, but this whole thing is too weird for me. I hate that the eliminations are in the beginning and then the losers have to dance. I hate that they have to do a solo even though the solo doesn’t count for anything and no one really likes watching them anyway. Just the whole thing. Blech.
Kate: Who shall we blame/hate for this?
Erica: Anyway. Onward.
Hayley & Curtis – Jazz: “Mama Knows Best” by Jessie J; choreo by Ray Leeper
Kate: I enjoyed this!
Erica: I feel about this the way I felt about his group number – it’s cute, it’s fun, it’s sexy, and I’m going to forget everything about it but the outfits by tomorrow.
Kate: He continues to be one of my favorites. I don’t want to sound like the judges, but he has amazing jazz and contemporary moves for someone who only tapped his whole life.
Jasmine H. & Aaron – Lyrical Hip-Hop: “Tears Always Win” by Alicia Keys; choreo by NappyTabs
Kate: Ian had quite a lot to say about this one. He thinks Aaron is too hulky bulky to look graceful while dancing, and I agree. You have to be EXTREMELY graceful and fluidy to overcome that size, ESPECIALLY as a male dancer, and Aaron did not do that here. I don’t know if he did it last week, but he definitely didn’t do it this week.
Erica: She’s in my top five girls for sure. And I like him quite a bit. Not sure I loved this number. It was pretty good, but the angry flailing at the beginning was a little juvenile and overdone for me.
Kate: The thing is, they look good together because she is so tall and, you know, not a complete rail. Also…They are 100% banging each other.
Erica: They are not!
Kate: They are so.
Erica: I noticed in the rehearsal footage that Tabs is rocking the accent nail, a trend I plan on picking up in the near future.
Kate: This routine made me a little nervous in terms of NappyTabs being off their game post-baby, actually.
Erica: Oh, and I love me some Christina Applegate as a judge, but hard, but I just want to say that I hate how often everyone is mentioning seeing dress rehearsals now. Allow me my illusions!
Kate: She looked a little tired.
Erica: Also, I always forget this but I like Alicia Keys.
Malece & Jade – Bollywood: “Radha” from Student of the Year; choreo by Nakul Dov Mahajan
Erica: OMG this was so freakin’ cute.
Kate: OMG this was a mess.
Erica: I thought these two were very well-suited to Bollywood, actually. Jade as an animator should be able to handle intricate hand movements and I have always admired Malece’s precise and on-beat style.
Kate: Disagree completely! They both looked so uncomfortable about the fact that they got Bollywood this week, ESPECIALLY Jade. Malece kind of sucked it up and did the best she could, but he, who should have extremely sharp and intricate movements, did not do well with this style at all, in my humble opinion.
Erica: But OMG Nigel how do you not hear how awful it sounds when you call Jade’s costume, “Adam Shankman’s outfit” and then ask Jade how all his friends will feel about it?
Kate: Yeah, that was obnoxious.
Alexis & Nico – Contemporary: “Old Skin” by Olafur Arnolds & Arnfor Dan; choreo by Stacey Tookey
Erica: So Stacey Tookey called this a sequel to Kathryn and Robert’s number back in Season 6. And, I mean, come on.
Kate: I squealed when they said “a Stacey Tookey number”, and I got exactly what I wanted. This was loverly, and it made me feel good because everyone hated on their hip-hop last week even though I liked it and then they blew it out of the water with this.
Erica: I can’t exactly find fault with Alexis here, but . . . she is no Kathryn.
Kate: She was damn good at contemporary for a tapper. Not as good as Curtis, but impressive.
Erica: And then Nigel went on about the piece of music – which was quite lovely – so you know he wasn’t thrilled but didn’t want to say so.
Kate: Cranky old hag.
Brittany & Blueprint – Broadway: “It’s Oh So Quiet” from Ice Princess; choreo by Spencer Liff
Erica: So this is the first number with an already-gone cast member, which is too weird.
Erica: Hey, I just did the math, and this means he’ll be dancing with Mariah next week. I don’t see that as a particularly productive pairing.
Kate: That will be interesting. We know it’ll be good if they get hip-hop, but if they get anything else, it’s two people completely out of their element(s).
Erica: This I did not care for. I mean, first, what’s Ice Princess? and second, this song isn’t making me want to find out more about it and third . . . I don’t know. They danced pretty well and I actually thought he made some cute faces, although Christina Applegate is right that he needs to throw his whole body into it more, but it was just meh to me.
Kate: Yes, they were better last week. But I don’t feel strongly one way or another about her going home.
Jasmine M. & Alan – Tango: “Escape from Slavery” by PP Music; choreo by Miriam Larici & Leonardo Barrionuevo
Erica: She remains my number one girl right now. And he’s damn good, too.
Kate: This was o-kay. She is not my number one girl, but he is pretty good.
Makenzie & Paul – Jazz: “Mannequin (Skeet & Tito Remix)” by Trish; choreo by Sean Cheesman
Erica: A fembot? What a perfect role for her. I guess since she was on the bottom, all those shrieks are for Paul.
Kate: Loved this!
Erica: I didn’t want to like it because I thought the premise was cheesy and I’m still scared of Sean Cheesman, but I really thought it was cute and fun and they did a good job. But as I was watching I was going, what is in the water at SYTYCD this week? Why are all the choreographers so horny? And then Nigel went and made that joke himself. Damn you, Nigel!
Kate: Actually I really liked the dancing part of this routine, but the tricks looked a liiiiiiiiiittle uncomfortable, almost like she didn’t quite trust him.
Erica: I do think the costumers could have come up with a better fembot outfit, though.
Mariah & Carlos – Contemporary: “Dead in the Water” by Ellie Goulding; choreo by Stacey Tookey
Erica: Well, now don’t you feel stupid for sending this guy home?
Kate: Yea, this was wonderful. I lovvvvvvvvvvvvvvvvvvve Ellie Goulding!
Amy & Fik-Shun – Hip-Hop: “After Party” by Dorrough Music; choreo by NappyTabs
Kate: Oh my god, yes. This is NappyTabs at their finest, holy moly, yes yes yes, I want to learn this routine.
Erica: I really loved it. It was very silly and cute and fun and I just loved it. NappyTabs have totally grown on me.
Kate: There was just ONE part where I wanted her to be even more hip-hoppy and aggressive — when he was in front of her doing that back bend side to side and she was kind of pushing him, you know? She needed like one more rush of BOOM!
Erica: He is made for NappyTabs routines and she could have been better at the booty-popping but definitely had the right attitude.
Kate: But Jade is also made for NappyTabs routines and he would have done great in this, so now I feel even worse for him. I hope he doesn’t go home next week.
Jenna & Tucker – Cha-Cha: “I Like It Like That (Aaron Jerome remix)” by Pete Rodriguez; choreo by Dmitry Chaplin
Erica: So for those of you who don’t remember, Dmitry Chaplin was the hot tamale of Season 2 who danced with Mary Murphy that one time that I keep posting because it’s evidence that Mary Murphy absolutely deserves to be judging this show even thought she’s hella annoying (I say it with love, Mary! Love!) and who also choreographs regularly and, I totally forgot this, choreographed that FABULOUS samba Lacey and Danny did back in Season 4.
Kate: Yes, but, I can’t find enough words to describe how much I hated this.
Erica: I really like Tucker; he’s right behind Alan for me and maybe even with Aaron for my favorite dancer.
Kate: No, he was way too greasy in this routine. He, like, made me grimace. Possibly I hated this more so because of the song – I just kept waiting for it to START, you know? – but I really did not feel it was a Cha-Cha nor a good ballroom routine. I would have preferred for her to go home instead of the other brunette who kind of looks like her.
Erica: I did not think her hips cha-cha’d enough. Remember Chelsie Hightower? She was in Season 4 and then showed up this year at auditions and also did a samba with Marko two seasons ago? Her most remembered from her season were this NappyTabs number and this Mia number, but she was really ballroom and seems to be on DWTS sometimes now, like so many SYTYCD alums? Yeah. Her hips were crazy.
Kate: Wow, they don’t do ballroom like they used to on this show. Hot Damn. Also, who has straight hair for a Cha-Cha? Seriously.
Erica: Also, I can’t believe I’m agreeing with Nigel, but I do want to see each dance style be very discrete and definitive, too. One more thing – I know no one cares about this but me, but why is it that in so many of these dances where a sexy girl is sexy at a guy for a while, the end of the dance is always her pushing him away? What is this trope about, where part of the definition of a sexy, empowered lady is that she turns down sex? And the sex that she had been, up to that point, apparently pursuing?
Kate: That would be a question for the choreographers. I don’t think Sonya, Mia, Stacey or Mandy ever choreograph that way, though.